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Teach People, Not Curricula

12/6/2018

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Post 22.

This morning I'm listening to a talk given by Wendell Berry, "The Thought of Limits in a Prodigal Age." He says, "industrialism and agrarianism are directly opposed." Industrialism involves competition and generalizing. He suggests that industrial farming aims to replace farmers with engineers, and later with robots. In contrast to industrialism, agrarianism involves living well in place, a specific place, however small. Agrarian crops and practices are indigenous to specific places. Taking care of the land and neighborliness are characteristics of agrarianism. Considering Berry's wisdom, I think curriculum is an industrial practice. An agrarian practice, then, would be a practice of specific people, specific places, taking care of specific land, and neighborliness.

Echoing Berry, I write this.

Today's reflection: If curriculum (that is a top-down framework that is the "right" way to teach every kid) is accomplished; then teachers will eventually be replaced by engineers, who will themselves be replaced by robots. But if teaching is a place-infused praxis, a practice of specifics responsive to people and community, and not generalizables, then the teacher's role might survive the 21st Century in a way the farmer's role, the lawyer's role, and the warehouse worker's role didn't survive the 20th.

If you've read my book, please leave a review on Amazon. This helps the book show up on searches, so that interested music teachers can be exposed to ideas of place and ecological sustainability. Thanks!

DJS

Link: https://www.youtube.com/watch?v=k0fLDa7a6Ag
Link: https://www.amazon.com/Eco-Literate-Music-Pedagogy-Philosophy-Autoethnography/dp/0415792576/

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    Eco-Literate Pedagogy Blog

    Daniel J. Shevock

    I am a music education philosopher. My scholarship blends creativity, ecology, and critique. I authored the monograph Eco-Literate Music Pedagogy, published by Routledge, and a blog at eco-literate.com where I wrestle with ideas such as sustainability, place, culture, race, gender, and class. I serve as part-time faculty at Penn State Altoona and play percussion and piano, and on occasion find my voice.  

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