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A Lesson designed around Satis Coleman's spiritual philosophy for Music Education

6/6/2025

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Check out Eco-Literate Music Pedagogy.

Prompt (ChatGPT): Design a lesson plan based on the article, Satis Coleman—A spiritual philosophy for music education. 
 🎵 Lesson Plan: Listening to the Sacred: Music, Nature, and the Seeking Spirit
Grade Level: Middle School (Grades 6–8)
Duration: 2–3 class periods (45–60 minutes each)
Theme: Exploring music as a spiritual and ecological practice through listening, improvisation, and instrument-making
Inspired by: Satis N. Coleman’s holistic, spiritual, and nature-centered approach to music education

 🎯 Learning Objectives
By the end of this lesson, students will:
  • Engage in deep listening to natural and human-made sounds

  • Reflect on the emotional and spiritual aspects of music
  • Create simple instruments using natural or recycled materials

  • Improvise music inspired by nature and personal experiences
  • Understand music as a means of connecting with the environment and inner self


🧘‍♀️ Day 1: The Art of Listening1. Introduction (10 minutes)
Begin with a discussion on the concept of "deep listening." Ask students:
  • What sounds do you notice in your daily life?
  • How do these sounds make you feel?
2. Nature Sound Walk (20 minutes)
Take students on a silent walk around the school grounds or a nearby natural area. Instruct them to focus on the sounds they hear—birds, wind, leaves, distant traffic, etc.
3. Reflection and Discussion (15 minutes)
Back in the classroom, have students share their observations. Discuss how these sounds could be considered musical and how they relate to emotions and spirituality.

🛠️ Day 2: Instrument Creation1. Introduction to Instrument-Making (10 minutes)
Discuss how Satis Coleman encouraged making instruments from natural materials, emphasizing the connection between creation and personal expression.
2. Building Instruments (30 minutes)
Provide materials such as:
  • Recycled containers (for drums or shakers)
  • Rubber bands and boxes (for string instruments)
  • Sticks and tubes (for wind instruments)

Guide students in creating their own simple instruments.

3. Sharing and Discussion (15 minutes)
Have students demonstrate their instruments and discuss the sounds they produce. Relate this to the sounds heard during the nature walk.

🎶 Day 3: Improvisation and Expression1. Warm-Up (10 minutes)
Begin with a group rhythm exercise using body percussion to build a sense of unity and focus.
2. Improvisation Session (25 minutes)
In small groups, students use their handmade instruments to create short improvisational pieces inspired by their nature walk experiences. Encourage them to focus on expressing emotions and stories through sound.
3. Performance and Reflection (15 minutes)
Each group performs their piece for the class. After each performance, discuss:
  • What emotions or images did the music evoke?

  • How did creating and playing the instrument affect your connection to the music?

📚 Assessment
  • Participation: Active involvement in discussions, instrument-making, and performances.
  • Reflection: Written or verbal reflections on the experience of listening, creating, and performing.
  • Creativity: Originality and thoughtfulness in instrument design and musical improvisation.


🌱 Extensions
  • Journaling: Encourage students to keep a sound journal, noting interesting sounds they encounter and their emotional responses.
  • Research Project: Explore instruments from various cultures and how they connect to nature and spirituality.
  • Community Engagement: Organize a performance for the school or local community to share the students' creations and experiences.


This lesson plan aims to embody Satis Coleman's philosophy by fostering a deep, personal connection to music through nature, creativity, and introspection. Let me know if you'd like to adapt this plan for different age groups or settings!


DS

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    Eco-Literate Pedagogy Blog

    Daniel J. Shevock

    I am a music education philosopher. My scholarship blends creativity, ecology, and critique. I authored the books Eco-Literate Music Pedagogy, and, with Vince Bates, Music Lessons for a Living Planet: Ecomusicology for Young People, both published by Routledge. Through my blog at eco-literate.com I wrestle with ideas such as nature, sustainability, place, culture, God, race, gender, class, and beauty. I currently teach music at Central Mountain Middle School, in Mill Hall, PA, USA, in rural central Pennsylvania.

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